My flux activation's are influenced by the Fluxus art movement from the 1960' where I walk the streets and immerse my body into it's architecture as a form of pinpointing locations. I have always been fascinated with street spaces as platform for micro choreographic actions, so I insert myself as a form of occupying city streets and spaces.
My flux activation's are influenced by the Fluxus art movement from the 1960' where I walk the streets and immerse my body into it's architecture as a form of pinpointing locations. I have always been fascinated with street spaces as platform for micro choreographic actions, so I insert myself as a form of occupying city streets and spaces.
My flux activation's are influenced by the Fluxus art movement from the 1960' where I walk the streets and immerse my body into it's architecture as a form of pinpointing locations. I have always been fascinated with street spaces as platform for micro choreographic actions, so I insert myself as a form of occupying city streets and spaces.
My flux activation's are influenced by the Fluxus art movement from the 1960' where I walk the streets and immerse my body into it's architecture as a form of pinpointing locations. I have always been fascinated with street spaces as platform for micro choreographic actions, so I insert myself as a form of occupying city streets and spaces.
My flux activation's are influenced by the Fluxus art movement from the 1960' where I walk the streets and immerse my body into it's architecture as a form of pinpointing locations. I have always been fascinated with street spaces as platform for micro choreographic actions, so I insert myself as a form of occupying city streets and spaces.
My flux activation's are influenced by the Fluxus art movement from the 1960' where I walk the streets and immerse my body into it's architecture as a form of pinpointing locations. I have always been fascinated with street spaces as platform for micro choreographic actions, so I insert myself as a form of occupying city streets and spaces.
My flux activation's are influenced by the Fluxus art movement from the 1960' where I walk the streets and immerse my body into it's architecture as a form of pinpointing locations. I have always been fascinated with street spaces as platform for micro choreographic actions, so I insert myself as a form of occupying city streets and spaces.
Christos Linou Choreographer / performer / filmmaker
photo by lucia rossi © 2014
Christos Linou is a cross-disciplinary artist with over three decades of work in dance, film, theatre has contributed to the performing arts in Australia and internationally. He has a Master’s Degree in Fine Arts from the University of Melbourne and in 2020 he established LinouPress, an independent publishing house.
Featured works
Spectral Absence
A multi-media dance performance that explores grief, loss and absence.
30min
2024
The Naked Ambassadors
Dance on film: Examining the duality of the naked and the nude male, to question perceptions of masculinity, gender and body image.
20min film-loop.
2000
Naked Peel: Pt 1 - 4
Durational Dance Performance and research for Master of Fine Arts degree. University of Melbourne
12, 6 and 8 hour performances
Melbourne: 2012. Amsterdam: 2013 Melaka: 2016.
The Barbarians
Experimental Opera, choreographed and performed for IHOS Opera.
Hobart: 2012
Terror of the old
Contemporary dance influenced by the text from the Dead Sea Scrolls, to examine the embodiment of trance
2012
